A wet dreary Sunday night with the promise of a long week at work was brightened up by the presence of SKIES, all the way from Kent, with a seven-song set that felt more appropriate for a big festival stage than it did a dark Manchester basement.
A wet dreary Sunday night with the promise of a long week at work was brightened up by the presence of SKIES, all the way from Kent, with a seven-song set that felt more appropriate for a big festival stage than it did a dark Manchester basement.
The Slow Readers Club return with Tell No Lies, a brand new single to follow up the top 10 album The Joy Of The Return and 91 Days In Isolation, both released during lockdown ahead of their UK tour that kicks off at Hebden Bridge Trades Club next week. An upbeat stomper of a track, it's accompanied by a video featuring Line Of Duty's Craig Parkinson.
VLURE return with their second single, and their first since signing to So Young Records, with live favourite and call-to-arms Show Me How To Live Again. It's set to the thrilling wall of synth and guitar sounds that the band create and anyone that has witnessed their few live outings to date will well recognise.
Tunbridge Wells Forum witnessed the unforgettable return of The Murder Capital as the band steamrollered through a blistering set of old and new songs on an emotionally charged evening.
Ist Ist have today revealed It Stops Where It Starts, the first track to be taken from their forthcoming second album The Art Of Lying, released on a limited edition 7" single, streaming and download and accompanied by a video that might surprise long-term watchers of the band.
Set in the imposing shadow of the Ashton Memorial in Williamson Park, Lancaster's Highest Point Festival is one of the newer additions to the calendar, but already feels like an established well-organised and well-run festival. James headline the first night of four for 2021 with a set that strikes a fantastic balance between their new material and old favourites with a few surprises and which is full of the spontaneous energy that symbolises their live experience even close to forty years into their career.
Inhaler completed the first week of their rescheduled launch shows with an intimate hour-long show at Colours in Hoxton in London to an excited crowd of hardcore fans ready to throw themselves fully into a celebration of the band's debut album It Won't Always Be Like This that reached number one in the UK charts.
Fresh from their universally acclaimed Record Store Day reissue of their groundbreaking From The Hip album, Section 25 delve deep into their archives to deliver an incredible collection of improvisations and jams, recorded between 1978 and 1981.
Seafever are what used to be called a supergroup, comprised of Iwan Gronow of Haven and Johnny Marr's band, Beth Cassidy from Section 25, New Order's Tom Chapman and Phil Cunningham with Elliot Barlow on drums. This was meant to be a celebration of the launch of their album Folding Lines, but the inevitable pressing plant delays have shifted that to October so this evening takes on the role of an intimate first ever gig preview of nine of the ten songs from the record.
Proletariat made their long-awaited return to the live stage after three years away with an invite-only intimate show at the Eagle Inn in Salford. Cheered on by a partisan crowd they revealed their new line-up to an audience for the first time as well as some exciting new material and reinvigorated old favourites. Support came from poet Leon The Pig Farmer.
Saturday night and we venture out of the city centre to Levenshulme for a three-band bill of Springfield Elementary, Soup! and Salt The Snail, each providing their own take on punk, both complementing yet contrasting in their approaches and impressing each other's sets of fans in the process.
On a wet Manchester Saturday afternoon the rain clouds cleared for forty-five minutes as if in time for Katherine Priddy's long-awaited return to the city to perform at Manchester Folk Festival's takeover of Homeground. The set featured tracks from her early EP Wolf, her critically acclaimed debut album The Eternal Rocks Beneath as well as a number of new songs with delightful explanations of each song between them.
The first of a new series of BBC Introducing showcases at Manchester's Night And Day Cafe saw headliners and hometown heroes Ist Ist play their first non-distanced show in the city since June 2019 with an impressive supporting cast of Introducing favourites The Goa Express, Abbie Ozard and Julia Bardo in a sold-out venue of music lovers making their first excited tentative steps back out into the world of gigging again.
Heart Like A Landslide is the second track from Liam Frost's new project Fountain Head, the follow-up to last year's debut In Chrysalis. Accompanied by stunning vocals by Blanid that complement and contrast with Liam's familiar tones, Heart Like A Landslide is a gorgeous extravagant dream pop song that will delight and surprise long-term followers of Liam and appeal to new listeners.
One year and one day after releasing A Hero’s Death we returned to the iconic Brudenell Social Club to witness a blistering eleven song set by Dublin rockers Fontaines D.C.
You'll know John Hall. If you're the type of person who likes to talk while the band are on, he'll have cast you a disbelieving stare across the room. If you're a real dickhead, like one man in Rawtenstall at a Liam Frost gig, I might have stood between the two of you at some point. If you love live music videos on You Tube, you'll have seen his wonderful Manc Music channel of films of songs recorded across Manchester's music venues, you'll probably be in one of them as he loves to show the audience reaction. If you've ever sat in the secret garden at the back of the Castle or the Rose And Monkey you'll definitely have met him. There isn't a bigger champion of new music in Manchester than John Hall. Many people might claim that title, bollocks that it is, as their own. But there's no I in John Hall, just a love of music, an extravagant flounce, a wicked laugh, a bag of pills and the biggest heart.
Keep Me Going (All Night) is the debut single from Manchester four-piece Hates Talking. Fronted by Sam Carson, formerly of Lunar, the band have spent lockdown honing their sound for an assault on the Manchester scene and further afield and announce their presence with this earworm of a first public reveal.
Day two of Bolton's new Right To Roam festival saw an outdoor stage in the town centre as well as at the Octagon, Alma and Vaults. We caught the last two local bands outside - Pageant Mum and Clouds And Errors - before heading to the Octagon for local boy James Holt and Granfalloon revealing tracks from his forthcoming Positive Songs album.
Right To Roam is a new two-day festival around a number of venues in Bolton town centre, part of an ambition plan of local music lovers and venues to inject some life into scene that gets dwarfed by the bright lights of Manchester down the road. We visited the main stage in the town's newly refurbished and impressive Octagon Theatre to catch Ist Ist, Gravediggers Union and locals Clouds And Errors.
John Bramwell concluded his Hebden Bridge Trades Club residency with the third sold-out night of the run of socially-distanced shows accompanied and supported by Harriet Bradshaw on cello. He delighted a rapt audience with a set of I Am Kloot classics stripped down and reinvented as well as tracks from his forthcoming Full Harmonic Band record The Light Fantastic.
A sunny Manchester mid-afternoon felt like a perfect introduction to Julia Bardo's forthcoming Bauhaus L'Appartamento album as she played a seven-song set of tracks taken from the album with her five-piece band on the main stage in Manchester International Festival's Cathedral Square hub.
One of the highlights of the Manchester International Festival for us is the free series of live performances that take place across the city. Moved across from the Town Hall due to the ongoing works there, Cathedral Square is home to this year's hub and on a wet Monday night, Dave Haslam has curated two of the North West's most talked-about young bands in The Lounge Society and Blanketman.
It’s easy to lose yourself in the songs of Dublin four piece Odd Morris. New track The Once Was Enough, a taster from their forthcoming EP Cityscape The Ballet due later this year, follows in the same vein. It’s dreamy and haunting with brooding sonic landscapes full of intent and sentiment that tug at the heartstrings.
The Seahorses, Dodgy and The Bluetones were three of the more recognisable names in the mid 1990s Britpop explosion and these days their front men are out on the solo tour circuit, delivering a dose of old favourites whilst writing new materials. Having struck up friendships, this socially distanced show not only has all three of them performing on their own but one of their first ever live performances of their new MCH (Morriss, Clark, Helme) super-group in the picturesque Bowdon Rooms in Altrincham.
Whilst festivals are being cancelled around our ears, Manchester's After All Festival continued in a socially distanced format on Thursday night - a sold-out event at Manchester's Tribeca combining a range of different styles of music and urban poetry to an appreciative crowd that had been starved of live music for sixteen months.
Manchester-based musician and songwriter Jake Hardman's debut album is the joyous sound of an open-minded individual who appears to have absorbed the very best of British music from the last forty years and channelled it all into thirteen excellent predominantly upbeat compositions that radiate freshness, talent, intelligence and humour. Andy Sweeney was suitably impressed by Jake's debut - read on to discover why.
"Where's Fretwell?" has been a catchphrase in the corners of the internet that remembered the unique charms of the Manchester-via-Scunthorpe songwriter Stephen Fretwell from the middle of the 2000s when he released two much-loved but commercially-ignored albums Magpie and Man On The Roof. After twelve years in the wilderness, he's about to return with a new album Busy Guy - and we were fortunate enough to be in the twenty-five strong socially distanced crowd at Salford Eagle's Inn for just his second comeback show.
VLURE completed their short tour of England with another sold-out socially-distanced gig in the Pink Room of Yes in Manchester. Once again they delivered a set that blew away those who had an inkling of what to expect as well as those catching them for the first time. Support came from an intense performance by Manchester's own Document, playing their first show for sixteen months.
The Red Stains made their much-anticipated return to the live stage with their first show in eighteen months at a socially-distanced sold-out show at Aatma on Thursday night supported by Sick Ducks. As unpredictable as ever, they demonstrated that absence had definitely made the audience's hearts grow fonder.
Birkenhead witnessed VLURE's first live show since last spring; a euphoric emotional return to the stage - a band emerging from the cocoon of lockdown and spreading their wings like the most beautiful of creatures.
Thank you Shame! Tonight we were made to feel alive again. Bringing a mate to his first gig in fifteen months was always going to be emotional but tonight’s show by the raucous outfit Shame at the wonderful, and brand new, three hundred and fifty capacity space Future Yard in Birkenhead confirmed what we already knew - music is good for the soul and live music even more so.
As they approach forty years as a band James are still going strong, selling more gig tickets than at any time in their history and continuing to challenge both themselves and their audience by developing and stretching their sound with each album. Their sixteenth studio album All The Colours Of You asks questions of the world around them, in their line of sight the mutation of the extraordinary times of their last album into social revolution, pandemic and personal loss, unafraid to challenge whilst pushing their playful side to the fore. Weird, but accessible, it's possibly the most accurate snapshot of the real essence of James that they've ever released.
Sligo-based Some Remain are the latest outfit creating waves across the Irish Sea. The alternative four piece mix rawness and high energy creating a post-punk feel that immediately grabs your attention and we’re predicting bigger and better things for them in the not to distant future.
Live music. The buzz, the thud of the bass drum that mirrors your heartbeat, faster and faster as the energy in the room rises and the adrenaline starts to pump. It's a feeling that you don't get elsewhere, your aural senses triggering a reaction that enables to lose yourself in the creativity of others. Fuck, we've missed it for the past fifteen months. Ist Ist and Gravediggers Union provide us with a first trip down the road to what music lovers among us love the most.
The Slow Readers Club's SoundON session was a homecoming of sorts, returning to the Derby Hall in Bury Met, which also hosts the Edwin Street studios where they recorded their albums Cavalcade, Build A Tower and 91 Days In Isolation. Featuring seven songs that felt like a mini Greatest Hits set and showcasing a harder edge to their sound without losing their uplifting melodies, they whet the appetite for their long-delayed return to the live arena.
Not content with his roles as a living legend, a figurehead of Manchester's music scene and the creative industries guru in residence for British Libraries, Inspiral Carpets bassist Martyn Walsh has been busy over the past year creating new music. The Afterglow EP is his collaboration with Simon Lyon and his second new release, following on from his ¡La Ruta! project at the end of last year.
The Lovegods were back between 2003 and 2006 one of the most exciting new bands in the country, building a strong dedicated following until it all fell apart when Australian lead singer Deah was refused entry back into the UK and had to move to France. Fifteen years on, they've revealed a video to accompany the release of a lost Peel Session of an unreleased track called Stand, a reminder of what a great band they were and how the UK immigration service robbed them and us of what they might have achieved.
Live music returned at the weekend with Blossoms headlining a 5,000 capacity tent in Sefton Park in Liverpool alongside local heroine Zuzu and Wigan's up-and-coming The Lathums. Our friends Maarit and Harriet from the At Most One Tour Twitter account were among them and give a fan's eye perspective on the most important live show of the year.
James today release Recover, the third single to be taken from their forthcoming album All The Colours Of You, a deeply personal track that seeks to find optimism out of the most horrible of personal experiences - the death of a loved one.